velour carpet, aluminium frame, acrylic glass
230 x 375 x 12 cm
2018

velour carpet, aluminium frame, acrylic glass, 230 x 375 x 12 cm, 2018

velour carpet, aluminium frame, acrylic glass
200 x 125 x 12 cm
2018

velour carpet, aluminium frame, acrylic glass, 200 x 125 x 12 cm, 2018

Untitled,
velour carpet, aluminium frame, acrylic glass
61 x 81 x 7 cm
2019

Alles ist grün eingefärbt. Falsch, alles ist rot eingefärbt, wie durch das Glas einer Flasche betrachtet, nein

It is the 31.12.1976, 1.41 pm.
This is the moment when I was born, in a tiled room on the first floor of a corner building on Robert-Weixler-Straße 9 in Kempten in the Allgäu. No one took photographs in the delivery room at that moment.

The absence of these pictures became the catalyst for a reconstruction four decades later. All available information was compiled using 3D software, imagining the delivery room as a sundial to messure the convergence of siet and instant. In the virtual space, a digital sun shines onto the reconstruction: the light penetrates the room just as it did on that day at that time.

Das Licht der Welt, 2018

digital images exposed on slide film, projected, variable size

It is the 31.12.1976, 1.41 pm. This is the moment when I was born, in a tiled room on the first floor of a corner building on Robert-Weixler-Straße 9 in Kempten in the Allgäu. No one took photographs in the delivery room at that moment. The absence of these pictures became the catalyst for a reconstruction four decades later. All available information was compiled using 3D software, imagining the delivery room as a sundial to messure the convergence of siet and instant. In the virtual space, a digital sun shines onto the reconstruction: the light penetrates the room just as it did on that day at that time.

velour carpet, aluminium frame, acrylic glass
90 x 70 x 4 cm
2018

velour carpet, aluminium frame, acrylic glass, 90 x 70 x 4 cm, 2018
Block, 2019 velour carpet, aluminium frame, acrylic glass 90 x 70 x 4 cm
Block, 2019 velour carpet, aluminium frame, acrylic glass 90 x 70 x 4 cm
Am 28. Februar 2017 bin ich von Düsseldorf aus mit meinem Auto los, hinten im Anhänger mit dabei das Bild mit Rahmenkonstruktion und Beleuchtung.

PDF

Am 28. Februar 2017 bin ich von Düsseldorf aus mit meinem Auto los, hinten im Anhänger mit dabei das Bild mit Rahmenkonstruktion und Beleuchtung.

velour carpet, aluminium frame, acrylic glass
diptych
205 x 100 x 10 cm, 205 x 300 x 10 cm
2018

velour carpet, aluminium frame, acrylic glass, diptych, 205 x 100 x 10 cm, 205 x 300 x 10 cm, 2018

Wahrscheinlich

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velour carpet, aluminium frame, acrylic glass
61 x 81 x 7 cm
2019

velour carpet, aluminium frame, acrylic glass, 61 x 81 x 7 cm, 2019

velour carpet, aluminium frame, acrylic glass
240 x 375 x 12 cm
2015

velour carpet, aluminium frame, acrylic glass, 240 x 375 x 12 cm, 2015

Solo VI, VII, VIII, IX
stainless steel, acrylic paint, oil paint
2009

Solo VI, VII, VIII, IX, stainless steel, acrylic paint, oil paint, 2009

velour carpet, aluminium frame, acrylic glass
205 x 300 x 10 cm
2015

velour carpet, aluminium frame, acrylic glass, 205 x 300 x 10 cm, 2015

oil on canvas
125 x 150 cm
2012 -2016

oil on canvas, 125 x 150 cm, 2012 - 2016

velour carpet, painted wooden frame, glass
85 x 150 x 6 cm
2013

velour carpet, painted wooden frame, glass, 85 x 150 x 6 cm, 2013

stainless steel treated with zapon, acrylic paint, oil paint
variable size
2009

stainless steel treated with zapon, acrylic paint, oil paint, variable size, 2009

Pistill der Iris 2011
Galerie Bernd Kugler

Pistill der Iris, schwarz, mittel
170,5x118cm
2011

Le monde pictorial 2017
mit Eugène Leroy
Galerie Bernd Kugler

This catalogue was published on the occasion of the exhibition Staying with the Pictures at Kunsthalle Gieße, 2019

... the photographs from the delivery room don't provide memories but only vague images. Das Licht der Welt (The Light of the World) attempts a ‘Total Recall’, it tries to restore confusing visual impressions through a reconstruction of the place – but in doing so, only conceals the actual subjective experience. It can generally ... be stated that there is a strange ontological tone of reality that overlays much of Tobias Hantmann’s work, something that Helmut Lethen so aptly described in terms of the photographic: "the photographic object, cut off from the world, allies itself with the loneliness of the subject." Therefore it is ...

pastell on sandpaper

10 x 13 cm

2009

pastell on sandpaper, 10 x 13 cm, 2009


Veloursteppich, Aluminiumrahmen, Reff, Transporter, Beleuchtung
400 x 550 x 250 cm
2015

Veloursteppich, Aluminiumrahmen, Reff, Transporter, Beleuchtung, 400 x 550 x 250 cm, 2015

velour carpet, aluminium frame, acrylic glass
90 x 70 x 7 cm
2019

Öl auf Leinwand
70 x 60 cm
1999

Gouache auf Papier
60 x 50 cm
2000

Öl auf Leinwand
130 x 450 cm
2001

Öl auf Leinwand
450 x 125 cm
2001